Tag: 2017

Fate/Apocrypha

Fate/Apocrypha

Fate/Apocrypha anime series cover art featuring Jeanne d'Arc and Sieg
Fate/Apocrypha Cover Art

Overview

Either I didn’t realize this week’s JoJo’s episode was going to be a recap, or I forgot. Either way, it’s a good thing I just finished Fate/Apocrypha last night so I can write about it today.

Fate/Apocrypha is generally seen as one of the worst anime entries of the series, and I’ll be the first to tell you that this isn’t actually the case. Yes, this Fate entry is set up a bit differently from the “classic” formula, but so is Prisma Illya, and that’s a great anime.

However, if you’re expecting this series to be like Fate/Zero or Fate/stay night: UBW, then sure, I could see how this entry might seem a bit off-putting. As I mentioned, it strays from the “classic” Fate formula of seven master-servant pairs battling it out for the Holy Grail, and instead features a whopping 16 servants split into two teams.

For some, all these characters are hard to keep track of, but if that’s your issue with the series, then it wasn’t meant for you in the first place. I’ve seen complaints which are all over the place in regards to the characters. Some complain that they’re too visually similar to each other, others complain that their designs are too “out there.”

As for the first type of complaint, I don’t know what anime they were watching, but none of the characters look alike in this series. Literally every one of the servants (which are the focus of the series) has an extremely unique design compared to each other.

For the latter complaint, this just seems like something people who are new to the Fate series as a whole might say. Fate has always been about depicting legendary and historic figures in unconventional ways, so why would you expect Apocrypha to be any different?

But, for some, the character designs don’t matter, it’s instead the sheer number of characters which makes this series daunting. To them, I’d say they’re not the target audience. It seemed clear to me that Apocrypha was pandering specifically to those who are fairly invested in the Fate series, and most likely play Fate/Grand Order.

Even though none of these servants have appeared in any of the other Fate series anime I’ve watched, I still knew who they all were from the start simply due to playing FGO. And, what makes it more clear to me that this series was meant for more “experienced” Fate fans is the fact that it didn’t take the time to explain much about what was happening or the servants involved.

It felt expected that anyone watching this anime was already familiar with the Fate universe, how the Holy Grail Wars work, what is and isn’t possible for masters/servants, and how servants work in general. And, that was pretty refreshing, because I’d rather have more action and less repeated explanation.

Basically, just like with any Fate anime, don’t go into this one expecting some profound plot. Yes, there is a plot, but the main focus is really on the action and being able to see some of your favorite Fate characters interacting with one another.

So, instead of explaining what happens in the series, next I’ll go through the servants present on both sides of the conflict. And, if you’re familiar with FGO, then you’ll probably notice that the Red team is pretty stacked.

Black

Saber – Siegfried, the hero who defeated the evil dragon Fafnir, is the Saber of the Black team, and yet he’s strangely not one of what I would consider the two main servants. Typically in Fate the Saber class gets the most time to shine because they’re considered the best, but this isn’t the case this time around.

Archer – Chiron, the Centaur who taught Greek heroes, is the Archer of Black. However, he doesn’t use his Centaur form in the anime, and instead looks like a pretty regular guy in armor other than his horse tail. As a teacher, he plays a mentor role for servants on both sides.

Lancer – Vlad III, also known as Vlad the Impaler or Dracula, is the Lancer of Black. While not the main servant for his team, he serves as the defacto leader of the Black team since this Holy Grail War takes place in his homeland of Wallachia, Romania. He’s also the antagonist for the first cour of the series.

Rider – Astolfo, one of Charlemagne’s 12 Holy Knights, is the Rider of Black and also the main servant on the Black team. It’s strange to see a Rider, and Astolfo no less, as a protagonist, but he has a more entertaining character than anyone else on this team, so it makes sense.

Caster – Avicebron, a Jewish philosopher known for creating golems, is the Caster of Black. Unlike most of the other servants who are taking part in this Holy Grail War, Avicebron has no wish he wants granted by the Holy Grail, and so doesn’t care about the outcome. Instead, he just wants to finish creating his magnum opus.

Assassin – Jack the Ripper, the notorious London serial killer, is the Assassin of Black. However, despite being a part of the Black team, Jack flies solo. She and her master actively work against the masters and servants of both sides of the war.

Berserker – Frankenstein, or more specifically, Frankenstein’s monster, is the Berserker of Black. She doesn’t really talk, only grunts, and yet she’s one of the more charming characters in the series.

Ruler – Jeanne d’Arc, savior of France, isn’t technically on the Black team, but since the Red team has a Ruler of their own, she tends to stick with the servants of Black. And, since she’s not technically a servant of Black, she doesn’t have a master of her own, but is rather her own master in a sense.

Mordred vs. Frankenstein from the anime series Fate/Apocrypha
Mordred vs. Frankenstein

Red

Saber – Mordred, the son and killer of King Arthur, is probably my favorite servant in all of Fate. In fact, she’s the only Fate character I have a figure of, and I even have a second figure of her coming soon. Unlike Siegfried on the Black team, Mordred is the main servant for the Red team, even though she works independently from the other Red servants.

Instead, Mordred and her master, Necromancer, go off on their own to take the Holy Grail for themselves, not unlike Jack the Ripper on the other side. However, just because Mordred doesn’t work with her teammates doesn’t mean she works against them like Jack does.

Archer – Atalante, a huntress from Greek mythology, is the Archer of Red. She and the Rider of Red, Achilles, have a quasi-romantic relationship going on which was interesting to watch. She also has a severe mental breakdown later on and turns into Atalante Alter.

Lancer – Karna, son of the Sun god, is probably the strongest servant on either side of this Holy Grail War. Considering he essentially has the power of the Sun (like Escanor from The Seven Deadly Sins) as just one of his abilities/noble phantasms, it’s easy to see why this is the case.

Although I never cared about him in FGO, I really liked his character in Apocrypha because he just wants to have an all-out battle against Siegfried as heroes. He doesn’t care much about the Holy Grail, but he does care about his honor and the honor of his opponents.

Rider – Achilles, the hero of the Iliad, is the Rider of Red as mentioned previously. As someone who’s essentially immortal, Achilles is a pretty powerful opponent. However, the Archer of Black, Chiron, was his teacher and so knows all of his strengths and weaknesses.

Caster – Shakespeare, the famous playwright, is the most useless servant in Apocrypha. He really doesn’t do anything at all in the series until the very end, and even then he doesn’t fight, he just tries talking Jeanne into giving up. I guess he’s here to even out the fact that the Red team is pretty overpowered otherwise.

Assassin – Semiramis, Queen of Assyria, is the Assassin of Red and works in a similar capacity to Vlad III. While Vlad III is the king of his domain, Wallachia, Semiramis is the Queen of her, the hanging gardens of Babylon, which is the mobile base of the Red team.

Berserker – Spartacus, leader of a gladiator rebellion, is the Berserker of Red. He’s almost as useless as Shakespeare, but not quite because at least he can fight. The only problem is that he’ll fight servants from both sides as he sees fit, because he views them all as oppressors he needs to break free from.

Ruler – Amakusa Shirou, leader of a Japanese Roman Catholic rebellion, is the Ruler on the Red team. Like Jeanne, he’s technically not a servant of the Red team, but is instead his own Master. However, unlike Jeanne, he has a clear side because he makes himself into the master of all the Red team servants except Mordred.

Conclusion

Overall I actually rated Fate/Apocrypha an 8/10, which is higher than I expected when I started the series. If you’re not that into Fate, then this probably isn’t the best anime for you out of all the Fate entries, but if you’re interested in any of the characters I listed, then I think you’ll enjoy this series.

But, remember, it’s more about seeing the characters interact with each other and the action than the actual plot. So, if you can think of the series like that, I think you’ll find it very enjoyable.

Episode 22 in particular was basically all action and included major fights between a lot of the characters. It reminded me a lot of the Naruto vs. Pain fight from Shippūden in which the animation quality was bumped up and they decided to forgo sticking to the character models.

As a bonus, the OPs and EDs for this series are also really good, though the first OP and ED are my favorites, considering I’ve had those songs downloaded on my phone for months before even seeing the anime. I just love the music of both EGOIST and Garnidelia.

Have you seen Fate/Apocrypha? Or do you play FGO? If so, who’s your favorite servant? While Mordred is my favorite from probably both a character and design perspective, I love using Tamamo no Mae in FGO, so I plan to watch Fate/Extra: Last Encore next.

If you enjoyed this, slightly different, review, let me know by clicking the like button ❤ down below. And, give me a follow over on Twitter @DoubleSama so you don’t miss out on any future content.

And, finally, I’d like to thank HeavyROMAN for supporting DoubleSama.com at the Heika tier this month. To learn more about how you can become a supporter of this blog and the benefits it entails, check out Patreon.com/DoubleSama.

Danmachi: Sword Oratoria

Danmachi: Sword Oratoria

Danmachi: Sword Oratoria anime cover art featuring Lefiya, Tione, Tiona, and Ais
Danmachi: Sword Oratoria Cover Art

Overview

Danmachi: Sword Oratoria is a spin-off season of the not-quite-isekai anime known as Danmachi (Is it Wrong to Try to Pick Up Girls in a Dungeon?). As a spin-off, instead of following the series’ main protagonist, Bell Cranel, we follow the heroine, Ais Wallenstein.

If you’ve seen the first season of Danmachi, you may remember Ais as that really strong, blonde swordswoman from the Loki Familia who saves Bell from a minotaur in the beginning of the series. She probably did other things, but it’s been a few years.

While Bell does make a few appearances in this season, he and Hestia are little more than background characters simply in place to remind us that this is, in fact, still Danmachi. But, while Ais is the star of the show, it’s really the Loki Familia as a whole that seems to be important.

The season follows the Loki Familia as they investigate the reason for high level dungeon monsters coming up to lower-level areas of the dungeon, and even the surface on one occasion. And, while this story doesn’t follow the same path as the original, it does happen alongside it, so multiple times we see events we’re already familiar with, but from a different angle.

The ultimate journey in this season is to level 59 of the dungeon, a place no adventurer has set foot before. Will Ais and the rest of the Familia find the answers to their questions here? No. Sorry to spoil it, but nothing really happens in the whole series and there isn’t really even an ending.

Maybe there will be a second season of Sword Oratoria which will continue the events of this season, but I think what’s more likely to happen is that season two of Danmachi (which has been announced, but doesn’t appear to have a release date yet) will be the converging point of the two current plot lines.

Ais Wallenstein and Lefiya Viridis from the anime Danmachi: Sword Oratoria
Ais Wallenstein and Lefiya Viridis

While I found the general premise of this spin-off to be fairly interesting, it still had some issues I felt were holding it back. Keep in mind that if I watched the original Danmachi season today, I’d probably have some of these same complaints, but since I watched it so long ago, I didn’t yet know what was good and what wasn’t.

My first issue is the art. I get it, art styles are a thing and who am I to say that the art in one series is any better or worse than the art in another?

At the beginning of the series, everything looked too flat, that’s the best way I can describe it. However, by the end I wasn’t noticing this issue as much, but I’m not sure if the art actually got better, or if I simply got used to it over the course of the season. I’m thinking it was a mixture of both.

The second issue is the animation. While there were certainly times when the animation was fairly good, most of it I would call mediocre. This mediocre animation combined with the flat art style really made a lot of the action sequences fall short for me. As the kids would probably say, their sakuga game was weak.

The final issue I want to mention were the enemies. Yes, there were a variety of enemies, from other adventurers, to minotaurs, to dragons, to giant skeleton floor bosses. However, the primary antagonist enemy was a plant. Now, this wouldn’t have been too bad, except we always came back to the plant, and a plant just isn’t that exciting.

At least the final battle against the plant boss was more interesting because it wasn’t just a plant with teeth (which I don’t even remember them using), this time it was a plant that was also a mage.

Characters

Ais Wallenstein is one of the two main characters of this series as well as its protagonist. She’s a member of the Loki Familia which is a guild-like organization led by the God(dess) Loki. She’s a level five swordswoman at the beginning of the series, and over the course of it becomes the fourth level six in the Familia.

For reference, there is only one level seven in the entire city of Orario where the dungeon is located, so being a level six is kind of a big deal.

The sword Ais generally uses is made of some material which is indestructible, although it still needs to be sharpened between battles. She’s also able to use a type of wind-based magic which allows her to drastically increase her speed, and therefore power as well.

Although Ais has the general appearance of a human, she’s actually a descendant of the Spirit race which were said to be the most powerful beings just below the gods. This is likely the cause of her great strength, although that’s not explicitly stated at any point.

My one complaint about Ais is that she doesn’t really have any sort of personality. She’s essentially a cardboard cutout, not unlike Violet was in the first episode of Violet Evergarden, although that was done for a reason. I don’t remember her character being this flat and uninteresting in Danmachi season one.

Lefiya Viridis is the other main character of the series. I don’t remember her at all from the original Danmachi, but that doesn’t necessarily mean she didn’t appear in that too, considering she has a number of run-ins with Bell throughout this season.

At the beginning of the series, Lefiya is a fairly useless, level one magic caster who belongs to the Loki Familia with Ais and the rest of the characters I’ll be going over in this section. She’s also an Elf, which seems to be the primary race of magic casters as far as I can tell.

The main reason Lefiya appears to be in this story is so that the viewer has someone to relate to. Unlike Bell, who started off weak and gradually became stronger through the effort he put in, Ais began this season already one of the strongest adventurers. So, Lefiya seems to be there so we have an underdog to root for.

Lefiya Viridis from the anime Danmachi: Sword Oratoria
Lefiya Viridis

The next couple of characters are less important, so I’ll go through them a bit quicker.

Finne, Riveria, and Gareth are the other three level six adventurers of the Loki Familia along with Ais. As the top three adventurers in the Familia, these three serve as the leaders just under Loki herself, and are the ones who are in charge when the Familia goes into the dungeon.

Finne appears to be a berserker of some sort, Riveria is a magic caster, and Gareth is the tank.

Below those three, as well as below Ais, at least after she becomes a level six, are Bete, Tione, and Tiona. I don’t remember if their levels were ever explicitly stated, but they’re more than likely either level fours or fives. Bete and Tiona are berserkers and Tione seems to be an assassin of some sort.

As a side note, you may have heard Bete’s voice somewhere more recently such as Bakugo from My Hero Academia, or even Zack from Angels of Death, coach Tachibana from Hanebado! and the Dendritic Cell from Cells at Work! He’s also in like every other anime ever made.

Conclusion

So how does Danmachi: Sword Oratoria compare to other anime? It’s a fairly solid 6/10. The story is really what makes this season what it is, otherwise it would have simply been a 5, or even a 4 if the story was bad. It’s nothing special, but it’s still a good watch as long as you have nothing better instead.

While I do plan to watch the second season of Danmachi, I’m not so sure I would watch a second season of Sword Oratoria if one was made.

The OP for Sword Oratoria is available here.

So what are your thoughts on Sword Oratoria? Do you like it more or less than the main story? Let me know in the comments, and while you’re down there, click the like button if you enjoyed this content. You can also follow me on Twitter or Tumblr, or subscribe to this blog via email to get notified every time a new post goes live.

My review of Danmachi II is available here.

KonoSuba OVA 2

KonoSuba OVA 2

KonoSuba OVA 2 anime cover art featuring Megumin
KonoSuba OVA 2 Cover Art

Overview

On Wednesday I reviewed the first KonoSuba OVA, and today it’s time to review the second. Unfortunately, this OVA isn’t as good as the first, but if you enjoyed the KonoSuba series, then you should still enjoy this. It’s basically just more of the main characters doing stupid things.

Once again, Kazuma is at the center of the rest of the gang’s misfortune. Ever since he and his party have become famous due to “defeating” three of the Demon King’s generals, he’s been bragging and showing off around the guild hall. Because of this, a variety of quests have come in asking for him specifically.

Normally Kazuma would be the kind of person to decline such ridiculous quests in favor of a life of leisure, but his pride seems to be getting the better of him because he can’t decline a quest if someone is watching (especially a fan of his). This is where the trouble comes in for the rest of the party.

The first quest Kazuma accepts is to defeat a golem hiding within some ruins. After convincing Darkness and Megumin to join him, he steals Aqua‘s staff in order to force her to come along as well. When they arrive, he discovers that the golem is actually a giant Japanese mech.

Darkness distracts the mech in the only way she knows how, and Megumin gives it a good ol’ blast of explosion magic, but not after making Aqua agree to build her something even cooler than the mech in return for destroying it. While the gang is celebrating their victory, the collapsed mech self-destructs, catching them all in the explosion.

Megumin and Chomusuke from the second KonoSuba anime OVA
Megumin and Chomusuke

The next quest Kazuma accepts is to go back to the same ruins where the mech was and explore it. Surprisingly, this seems like a fairly simple quest (it is) and Kazuma and his party can even keep whatever treasure they find within. The mention of treasure is all it takes to convince Aqua to help out this time.

Within the ruins they find a variety of modern Japanese appliances and toys, which only Kazuma, and probably Aqua, recognize. In one of the inner chambers they also find a diary left behind by the creator of the ruins, a Japanese man who was sent to this world much like Kazuma.

This unnamed man was reborn with the divine power to create anything he could imagine, and unsurprisingly, he was the one who created the giant mech guarding the ruins. It turns out that he had been researching how to create a beautiful female mech, but had failed many times over the years.

It’s also revealed that this is the same inventor who created the giant walking destroyer the gang had to take down in order to save the city. You know, the guy who wrote another diary entry mentioning how he was stuck on the destroyer because he didn’t invent a way to stop it.

Anyway, he apparently succeeded in creating his beautiful female mech, but it’s a sadist who uses whips and other BDSM “devices” on its master. The gang finds and activates the mech, and Kazuma declares himself its master, which is how we learn of the mech’s affinity for sadism.

Supporting Characters

In my review of the KonoSuba series I covered the four main characters, Kazuma, Aqua, Megumin, and Darkness, and in my review of the first OVA I covered the supporting characters Yunyun, Wiz, and Eris. This time around I’ll be covering some of the supporting characters who appear in this OVA.

The new character, specific to this OVA, is Ran. She introduces herself to Kazuma as one of his fans after she heard about his exploits as a veteran adventurer. Ran explains that she’s a novice adventurer about the same age as Kazuma and that she wants to be like him one day.

It’s because of Ran’s presence that Kazuma accepts the unreasonable requests that he does throughout this episode. He doesn’t want to look like a loser in front of his first fan, after all. However, it turns out that Ran was actually hired by the adventurers guild itself to pretend to be Kazuma’s fan as a way to motivate him.

The guild recognizes that although Kazuma’s party is made up of a bunch of troublemakers, they do actually get results when needed. Because of this, the guild needed some way to motivate Kazuma to keep accepting requests that were too difficult for other parties, and Ran was the answer.

Ran from the second KonoSuba anime OVA
Ran

Luna is the official quest-giver in the guildhall and as such appears to be the one who gave Ran the quest to motivate Kazuma by pretending to be his fan. It’s from a conversation between Luna and Ran that we learn the details of Ran’s quest.

Other than doing her normal duties as an official quest-giver, Luna doesn’t play any special role within this OVA.

The third supporting character is Kyouya Mitsurugi, a veteran adventurer who, like Kazuma, is a Japanese citizen who was reincarnated into the fantasy world in order to defeat the Demon King. He was reincarnated with the cursed sword, Gram, which only he can wield.

Kyouya is essentially the white knight protagonist that you would expect to find in an isekai anime, but instead we get Kazuma, and I’m so glad that’s the case. In this OVA, Kyouya isn’t tailed by his two female party members like he is in the series.

As a bonus, Chomusuke made an appearance in this OVA as well. Chomusuke is Megumin’s pet demonic cat.

Conclusion

While the series is a 9/10 and the first OVA is a 10/10, this second OVA is only a 7/10. Unfortunately, while I found it to be entertaining, it simply wasn’t as funny or engaging as the rest of the series’ content. But, as I stated at the beginning of this review, it’s still more KonoSuba.

The OP for the second OVA is the same as the second season of the series and can be viewed here.

Click the little heart button below this post to let me know if you enjoyed it, and while you’re down there leave a comment to let me know your thoughts on this second OVA. To get notifications whenever a new post is uploaded, subscribe to my blog via email or follow me on Twitter or Tumblr.

My review of the Legend of Crimson movie is available here.

Fireworks

Fireworks

Fireworks anime movie cover art featuring Nazuna and Norimichi
Fireworks Cover Art

Overview

Over the past few weeks I’ve had people tell me that I should watch the anime movie Fireworks, officially titled Fireworks, Should We See It from the Side or the Bottom? None of these people said the movie was good, simply that I should watch it and that it’s made by Shaft.

Some of you may be aware that Shaft is my favorite anime studio, they made two of my favorite series after all, the Monogatari series and Madoka Magica. However, just because Shaft is my favorite doesn’t mean they can do nothing wrong (although I really don’t think they did in this case).

But before I talk more about Shaft’s role in this movie, let’s take a brief look at the plot. Some middle school kids want to know if fireworks are flat or round.

Those who believe they’re flat suggest that they appear round because they’re always viewed from the front, but when viewed from the side, all they would see is the edge of the disc. Those who believe that they’re round simply argue that the others are idiots, explosions are round after all.

Now, although that’s a pretty major point of the movie (and the title), that’s actually not what this movie is about. The real plot, if you can even call it that, is that a girl wants to run away from home, and a boy has a marble which lets him reset time when he throws it and makes a wish.

I know that what I just explained there probably doesn’t qualify as a plot, and that’s why I hesitate to even use that word to describe what happens in this movie. Basically, there is no plot.

We get to watch essentially the same chain events happen three times with slightly different outcomes, and then the movie pulls an End of Evangelion and ends without really making much sense or solving anything.

Okay, so the story is bad, but going back to Shaft, they’re an animation studio so that’s not their fault. In their defense, the movie looks amazing, and it probably would have been if the story had any real substance.

My only potential complaint about Shaft’s part in the movie is that the character designs look like they came straight out of the Monogatari series. One might argue that it’s their art style, but I know that Shaft isn’t tied down to one particular art style. Madoka Magica, Monogatari, and March comes in like a lion all have drastically different styles.

The thing that reminded me the most of Monogatari, however, was the close-up shots of the characters’ eyes. The only thing they were missing was the camera shutter click when they blinked.

Characters

Norimichi Shimada is the protagonist of the movie. He’s a 14-year-old boy (or at least somewhere around that age) and runs with a crowd of other trouble-making boys from his class. He doesn’t really have much going for him as a character other than the fact that he has a glass ball which resets time when he makes a wish and throws it.

The female lead of the movie is Nazuna Oikawa, basically middle school version of Hitagi Senjougahara from Monogatari. It’s not that these two characters act that much alike, but seriously, just look at them. Nazuna wants to run away from home because she doesn’t want to move away with her mother and her mother’s new husband.

At one point in the movie, Nazuna even does the “Senjougahara fall” as I’ll call it. If you’ve seen Bakemonogatari you’ll know what I’m talking about. It’s the scene where our protagonist, Koyomi Araragi, first meets his future girlfriend, Hitagi Senjougahara.

Those two are really the only important characters of the movie, but I also want to mention Yuusuke Azumi, one of Norimichi’s friends and possibly romantic rival (that part isn’t really too clear). In some timelines he is, and in others, he’s not.

However, the main reason I wanted to bring him up is that he also looks very similar to the protagonist of the Monogatari series, Koyomi Araragi (although with lighter skin). From the beginning, I couldn’t stop seeing him and Nazuna as Koyomi and Hitagi.

Nazuna Oikawa from the anime movie Fireworks
Nazuna Oikawa

Conclusion

Now, before I get to my rating of the movie, let me mention a few other things about it which I feel are important. You may have heard of a little anime movie that came out a year before this one called Your Name., which quickly became the highest-rated anime movie of all time.

Well, as it turns out, Fireworks and Your Name. have a lot in common. In fact, if I had to describe Fireworks in a single sentence it would be this: Fireworks is a watered-down, Shaft version of Your Name.

If you like Shaft as I do, you’ll still probably want to see this movie, but unfortunately, I can’t bring myself to say that it was actually “good.” I honestly got more enjoyment out of watching Ordinal Scale, which isn’t something I thought I’d end up saying when I started Fireworks.

In the end, Fireworks is a 6/10 as most anime movies I’ve watched seem to be. If the plot was a little more developed it could have been a 7, and if it was actually emotional in any way it could have been an 8, but it simply failed to deliver where it needed to most.

I think my favorite parts of the movie were Shaft’s visuals and the song that played during the ending credits. When those are the main draws of a movie, that just goes to show that the plot needed some serious work.

As a final note, the subtitles on the version of the movie I watched were terrible, but I didn’t allow that to sway my opinion or rating of it. I’d recommend finding an official sub if you plan to watch this movie because it seems like all I found was a fan-sub.

The trailer for the movie Fireworks is available here.

SAO -Ordinal Scale-

SAO -Ordinal Scale-

Sword Art Online the Movie -Ordinal Scale- anime poster featuring Kirito and Asuna
SAO -Ordinal Scale- Poster

Overview

It should come as little to no surprise that I’m not the biggest Sword Art Online (SAO) fan out there. In fact, I think it’s a pretty bad anime, but at least it looks nice and serves as a good beginner anime.

So, from the start I wasn’t expecting much out of the SAO Movie -Ordinal Scale-; especially after having heard nothing good about it over the past year. However, begrudgingly, I have to admit that it was actually better than I expected going in.

But don’t misunderstand, it’s still by no means a “good” anime. If I had to compare it to anything else I’d say it’s very similar to NGNL Zero, and if you’ve read my review of that then you might have an idea of where this review is headed.

But before we get into the issues I have with this movie, let’s briefly look at the overall plot and the few things I felt the series did right.

The year is 2026, four years after the start of the events in SAO and two years after the SAO survivors were finally freed from the virtual world. Because of the SAO incident, “full dive” virtual reality (VR) has lost its appeal for many players, and now augmented reality (AR) is the new hot item.

The difference between the two is that with VR the user is essentially unconscious and fully immersed in the game, but with AR, the user has full function of their body and the game is simply overlayed on the real world around them. Think of it like the Pokémon GO Trailer.

Now, this is where we get into spoiler territory, it turns out that the popular AR game, Ordinal Scale, is actually being used to steal the memories of SAO survivors, which is where the conflict of the movie comes in.

So what does this movie do right? Well, for starters, it’s very visually appealing and the fights throughout it are fairly entertaining. It also has a decent soundtrack which is always good, but it’s by no means as good as some other movie soundtracks, such as that of Your Name.

Problems

And now, we get into the main portion of this review. But before I jump into everything wrong with this movie, let me first say that most of the issues only arise in the final act of the movie; other than that, it’s a pretty good watch and makes a decent amount of sense.

The first issue I had with Ordinal Scale came near the beginning of the movie when the gang (I think just Asuna and Kirito at this point) take on their first boss battle.

As I explained in the overview, the Ordinal Scale game is AR, meaning it’s simply overlaying graphics onto the real world. However, during this fight we see other players being swatted by the boss and go flying into buildings. How does what’s essentially a hologram have the mass to physically hit someone?

While the fact that this hologram appeared to have mass bothered me at first, I think what ended up bothering me more was how inconsistent the rest of the movie was about this. Sometimes people went flying after being hit, and other times they stood still as the hologram passed through them.

The next issue is this: players are wearing a device called an Augma which is used to display the game on the world around them, but this means that they’re still running around the real world. Isn’t it dangerous to have people running around a city swinging little batons at invisible enemies?

Even if the street were to be shut down as it appears to be during the first boss battle, there’s the additional issue of people taking advantage of the players. The antagonist literally runs around and physically assaults other players, severely injuring them, yet nobody seems to care.

While these first issues are more like minor physical plot holes, the next few things I want to mention should be considered major issues with the plot itself.

The main antagonist’s goal is to steal the memories of SAO survivors so that he can create an AI version of his daughter who died during the SAO incident. Okay, fair, I’ll suspend my disbelief for that much. However, this brings about a few major questions:

1. Why does he need to indiscriminately steal the memories of SAO survivors regardless of whether or not they knew his daughter? If they didn’t know her, their memories have nothing to contribute.

2. Why does the act of scanning memories physically steal them from their original owner? That’s not how scanning things works.

3. Why do the players need to be killed by old SAO bosses in Ordinal Scale in order to trigger their memories about SAO? These players survived, meaning they have no memories of dying to an SAO boss. Simply seeing the boss should do the trick, not dying by it.

4. Why does Kirito have to defeat the final boss of SAO in order to stop Ordinal Scale from stealing everyone’s memories? These are two separate games, and although Ordinal Scale was built off the SAO engine, there’s still no reason defeating this boss would stop the memory scan.

The more I write about this movie the angrier I’m getting at all the problems with it, but there are still more to go so let’s continue.

Next up, we have one of the stupidest parts of the movie, in my opinion, but not one of the worst issues. Apparently there’s a prophecy about Kirito which says once he has two swords he’ll be unstoppable. Why is there a prophecy about Kirito? Why is there a prophecy at all?

Seriously, just sit there for a few moments and try to come up for a reason why there’s a prophecy about how this game is going to be shut down. It makes literally no sense whatsoever. Who wrote this prophecy? For what reason did they write it?

Now it’s time to go back to some of the physical plot holes which appear near the end of the movie. The first one is the physical abilities of the players. As I’ve repeatedly said, and as the movie repeatedly reminds us, Ordinal Scale is an AR game, not a VR game.

What this means is that players can only do things with their bodies that they are physically capable of doing. And yet, we see various characters exhibiting superhuman abilities regularly. The antagonist is seen moving at lightning speeds and bouncing off walls.

Now, if you’ve seen the movie you may be thinking, “well that was explained by the robotic device the antagonist was wearing.” Well guess what, you’re wrong. There’s no physical way for a little device on that guy’s neck to augment his physical capabilities to that extent.

He essentially became Gran Torino from My Hero Academia for a scene.

Further, it’s not just him. We see both Kirito and Asuna moving at superhuman speeds at various points of the movie, as well as characters jumping off ledges multiple stories high and being just fine. This is another case of the movie being inconsistent about what AR really is.

Okay, let’s just pretend for a second that we can suspend our disbelief about the physical abilities of the characters, at least for the final fight between Kirito and the antagonist, because that’s not even my biggest problem with this fight.

As we saw throughout the movie, the antagonist has nothing against physically attacking other players. At the same time, Kirito wants to beat him up for stealing Asuna’s memories. Seems like the answer here should be obvious, they’re going to get into a fist fight.

Wrong. They both decided to fight each other using the Ordinal Scale game, because anime, I guess. But wait, it gets even stupider after Kirito wins the fight.

The Augma is needed to steal the memories of SAO survivors, and so simply taking it off renders the memory scan useless. This has been set up throughout the movie and the fact that the masses don’t think Kirito is telling the truth about the dangers of the device are very believable.

But, when it comes to the defeated antagonist, one of the people who understands exactly how the memory scan works because he’s been executing this plan from the start, he doesn’t seem to grasp the fact that he can take off the Augma when faced with a boss on his own.

Instead, we’re left assuming that his memories were stolen from him after his boss turns on him for losing. But once again, why didn’t he just take off the Augma? He knows exactly how it works and even how to stop the memory scan since he physically puts Augmas back on players he’s defeated.

I’m sure there are other issues with this movie that I’m forgetting about at this moment, but I’ll leave it at that for now.

AI Idol Yuna from the anime movie Sword Art Online -Ordinal Scale-
Yuna

Conclusion

Despite what you might think, Sword Art Online the Movie -Ordinal Scale- was actually a 6/10 just like NGNL Zero. Both of these movies had different things wrong with them, but at the same time they were both enjoyable to watch.

That said, enjoyment was really the only thing going for Ordinal Scale. It was “good” at surface level, but no deeper than that. I’d also like to say that one of the main draws for the Blu-ray release of the movie was that an uncensored seen of Asuna was advertised.

I really hope that people bought the Blu-ray just for that scene because, boy, did they get baited. Technically it was uncensored, but 1 frame of uncensored sideboob probably wasn’t what people had in mind when they bought the Blu-ray release, and that thought alone brings me more enjoyment than the rest of the movie did.

Finally, here‘s the trailer for Ordinal Scale, and here’s a one-time use Crunchyroll Guest Pass which can be used to watch the first two seasons of SAO (or any better anime): Y6P3VNE7HLD (expires July 31, 2018).